‘Arrow,’ ‘The Flash,’ ‘Supergirl,’ ‘Legends of Tomorrow’ Reveal 4-Way Crossover Villain

September 29, 2016 10:00am PT by Sydney Bucksbaum

The superheroes from all The CW's DC Comics series will unite to battle iconic alien race The Dominators in the big crossover event this fall.

Robert Voets/Warner Bros. Entertainment.

The superheroes from all The CW’s DC Comics series will unite to battle iconic alien race The Dominators in the big crossover event this fall.

The four-way crossover between The CW’s Arrow, The Flash, Supergirl and Legends of Tomorrow is shaping up to be out of this world. 

When all of the Arrow-verse series unite for one major crossover event this fall, the heroes will find themselves battling DC Comics alien race The Dominators (pictured below from the comics).

“We’re taking inspiration from a DC crossover from the late 1980s known as Invasion!, which featured an alien race called The Dominators, who’d previously vexed the Legion of Superheroes,” Arrow and Legends of Tomorrow executive producer Marc Guggenheim says. “We’re using cutting-edge prosthetics and computer effects to achieve a feature film-quality look which is faithful to Invasion! artist Todd McFarlane’s interpretation of the characters.”

In Invasion!, The Dominators — or Dominion as the race was called as a whole — were extremely technologically advanced, skilled geneticists and lived in a very strict caste system where your place in society was determined by how big of a red circle was on your head. The Dominators were very interested in the genetic potential of the human race, especially in the metagene, or the fictional biological variant that caused some humans to become metahumans.

After Supergirl moved from CBS to The CW, the network announced that all four Greg Berlanti-produced series would host a crossover event this fall, “our biggest one ever,” CW boss Mark Pedowitz said. Superhero crossover events have become an annual tradition since the first one during Arrow season two that introduced Grant Gustin as Barry Allen before he spun off to topline The Flash. The next season saw a crossover between Arrow and The Flash before the two shows introduced characters from Legends of Tomorrow in advance of its premiere. And last season, The Flash achieved the almost-impossible cross-network crossover with Supergirl when the latter was still on CBS.

The Flash season three premieres on Tuesday, Oct. 4 at 8 p.m., Arrow season five premieres Wednesday, Oct. 5 at 8 p.m., Supergirl season two premieres Monday, Oct. 10 at 8 p.m. and Legends of Tomorrow season two premieres Thursday, Oct. 13 at 8 p.m. on The CW.

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Sydney Bucksbaum

Sydney Bucksbaum

THRnews@thr.com

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‘Jessica Jones’ Boss on Luke Cage’s Carefully Crafted Intro, Season 2 Surprises and ‘The Defenders’

September 29, 2016 9:30am PT by Sydney Bucksbaum

"It was very collaborative with this particular character because it was very clear that I was introducing someone else's lead character for a show. He wasn't mine to play with," showrunner Melissa Rosenberg tells THR.

Myles Aronowitz/Netflix

“It was very collaborative with this particular character because it was very clear that I was introducing someone else’s lead character for a show. He wasn’t mine to play with,” showrunner Melissa Rosenberg tells THR.

When Jessica Jones showrunner Melissa Rosenberg sat down to start developing the first season of her critically acclaimed Netflix drama, she faced a unique dilemma. In addition to crafting a compelling comic book series with darker, psychological elements mixed in, she also had the responsibility of introducing another Marvel character who would go on to be the lead of his own show: Luke Cage (Mike Colter).

Before Luke Cage was even in its earliest development stages, Luke was already having adventures on Jessica Jones as a love interest and ally for Jessica (Krysten Ritter). He was introduced early in season one of Rosenberg’s series as a character with a mysterious past, tragic backstory and potentially hope for Jessica’s future. Their relationship ended for two reasons: Jessica was responsible for Mike’s wife’s death… and he had to go on to lead his own Marvel series.

So how much influence did Rosenberg actually have in shaping the live-action version of the iconic comic book character vs. how much did Marvel give her notes on how to create him?

“It was very collaborative with this particular character because it was very clear that I was introducing someone else’s lead character for a show,” Rosenberg tells The Hollywood Reporter. “He wasn’t mine to play with. So I really wanted the input. I wanted to be respectful of the canon and his place in the universe.”

According to Rosenberg, there were a few people who helped her stay on track when it came to being faithful to Luke’s comic book persona.

“Fortunately, I had amongst my staff a diehard Luke Cage fan, and he was instrumental in really guiding that character,” Rosenberg says. “[Marvel TV head] Jeph [Loeb] was also really, really clear about that. I didn’t have a lot of interaction with Cheo [Coker] who [executive produced] Luke Cage because he came on after I started.”

It also helped that Rosenberg understood she wasn’t responsible for setting up everything about Luke’s past.

“I knew what I needed from this character for Jessica, and that was really the objective,” Rosenberg says. “This is not the Luke and Jessica show. It was really about how does this character resonate with Jessica as opposed to telling his whole backstory, so all the story of his deceased wife and all that was what we got to tell because it was also about Jessica.”

After season one of Jessica Jones, Rosenberg handed off the character to Luke Cage showrunner Coker, but she admits they haven’t had the chance to sit down and really discuss him.

“This is what happens when you’re a showrunner, you just get so freaking busy,” she says with a laugh. “But we pass each other in the hall all the time and say hello. But I also have, in my second season, one of the writers on Luke Cage, so in terms of moving forward with what has happened in Luke’s story, with season two, not that that’s as relevant to Jessica’s story this season. But it’s all connected and it’s all very important. So Cheo and I haven’t had a lot of face time, but we’ve passed each other in this.”

Did she have any regrets or feelings of ownership when it came time to hand over the reins of Luke to Coker?

“Not really, because my objective from the beginning was to hand him over,” Rosenberg says. “I was just trying to do it in a way that would make me the happiest, that would be the richest for that. The thing I’m most sad about is to not work with Mike Colter every day. That was a really great collaboration, and Krysten and Mike had a real special bond and chemistry. We’ll miss him in that regard. But from the beginning, we were like teachers in an elementary school, getting him ready to pass him on to the next show and making sure we’ve done all we can to set him up as best as we can.”

Rosenberg is already hard at work developing season two of Jessica Jones, even though it will have to wait until after the premiere of The Defenders mash-up mini, in which Daredevil (Matt Murdock), Jessica Jones, Luke Cage and Iron Fist (Finn Jones) join forces.

“We’re working on it now,” Rosenberg says. “It’s going to be a long process. It’s great because we really have a lot of time to adjust it.”

The biggest lesson she learned from developing and filming season one? “I can’t do everything,” she says.

“As much as I tried, it’s not sustainable,” Rosenberg continues. “Delegating is essential. And Krysten can’t do everything. Writing a scene or two in an episode without her in it is important. She was working eight days a week and that’s not sustainable either. But the show is called Jessica Jones. She’s the center of the show. So she and I had to learn to find a balance with our lives and our storytelling that is sustainable.”

Looking ahead to The Defenders, Rosenberg praises what Daredevil showrunners Marco Ramirez and Doug Petrie are attempting to do with bringing together all four Marvel Netflix leads for one series.

“This wouldn’t work if anyone other than them was in charge,” Rosenberg says. “The whole thing has been incredibly collaborative. They’ve also been really respectful to all the other showrunners who have invented these characters and have grown attached to these characters. They invited commentary, they invited ideas, they enjoy collaboration. That’s the only way this works. It doesn’t work if they keep it all to themselves and are possessive.”

While Rosenberg doesn’t have a direct hand in what’s happening to Jessica on The Defenders, she does have a conversation going with Ramirez and Petrie.

“We are in constant contact, ever since our stories existed,” Rosenberg says. “If something changes for one or the other of our shows, we let each other know. So far, from what I know, everything is going to be told separately. But Marvel is doing something that no one has ever done before, ever. We’re going into our second season, like Daredevil did, and there were a lot of growing pains when you’re figuring it all out and now I feel like there’s more of a feeling where we know how to do things so it’s nice. It’s an amazing to watch it all come together.”

Once The Defenders premieres, Rosenberg will be able to discuss in more detail what viewers can expect from season two of Jessica Jones. But for now, she says she’s most eager for fans to see “something new.”

“There are new, surprising elements to all the characters,” Rosenberg says. “New and surprising relationships, who comes into each other’s orbits and why. No one is interested in having our characters keeping on doing the same things in the same ways. That’s what they do in network television. This world, you push your characters into new places they’ve never been before. That’s what gives us the most excitement.”

Luke Cage season one begins streaming in its entirety on Friday, Sept. 30 on Netflix.

Sydney Bucksbaum

Sydney Bucksbaum

THRnews@thr.com

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How ‘Drunk History’ Scored ‘Hamilton’s’ Lin-Manuel Miranda

September 27, 2016 10:15am PT by Sydney Bucksbaum

Series creator Derek Waters talks to THR about the Tony winner's drink of choice and the surprising location where he wanted to film.

Walter McBride/WireImage

Series creator Derek Waters talks to THR about the Tony winner’s drink of choice and the surprising location where he wanted to film.

Hamilton mania” isn’t slowing down anytime soon, and the next medium it’s taking over is TV. 

Lin-Manuel Miranda, the creator and former star of Broadway’s smash hit, will narrate an entire season four episode of Drunk History, and, of course, the episode is themed all about Alexander Hamilton. It’s a big get for the Comedy Central series, and creator/star Derek Waters knows it.

But how did he get one of the most popular (and busiest) figures in pop culture to agree to get drunk and narrate an entire episode of television about the same man he just finished playing on Broadway?

“Craigslist. I do it all with Craigslist,” Waters tells The Hollywood Reporter with a laugh. “I had heard that he liked the show. I had heard that he was writing Hamilton when he saw our first story ever of Hamilton [on Drunk History]. He liked it and always wanted to do it. I reached out to him and we had a nice conversation over the phone about what would be different about the musical than what would be in this and why we would do a story we’ve already done. That’s why his episode is just one story.”

Normally each episode of Drunk History contains three different stories narrated by three different people, but the Hamilton-themed episode, airing Nov. 29, is a special case in season four. 

“He does the whole thing and there are some parts in there that he didn’t get to fit into the musical,” Waters says. “I’m really thankful he wanted to do it. We had a blast. And I made it a point not to see the musical until after we filmed because I didn’t want to fan out on him. But after I saw it I was like, ‘Oh my God, that was amazing.'”

The Hollywood Reporter also spoke with Waters about what other changes he made to his web series turned TV show for season four, if Miranda got drunk enough to barf on camera during filming, and more.

First of all, I just wanted to thank you because I’ve retained more knowledge of historical events from Drunk History than I did in all my years of school. It’s incredible.

That’s the secret goal. I don’t really want to say it because it will sound pretentious, but I secretly want to learn, I want to teach, and that’s the only way we become better is learning from the past.

The secret to teaching is clearly drinking. A lot.

I think it’s that thing we’re taught as kids – it’s not what you say, it’s how you say it. In school, it’s just genuinely boring. We all remember our favorite teacher and the reason why, because of how they talked and taught. Not because they gave you an A. You actually remembered stuff. My favorite teacher of all time was my history teacher. That’s been the inspiration for this.

Did you go into season four with any particular goals in mind, or any changes you wanted to make?

My biggest goal, and it’s been this way since the show started, was how do I continue this show and it not get old? Drunk people and a famous person – how could that not get old? This year I decided to get rid of going to cities and making the episodes about cities. This year, they’re all themed episodes. I just wanted to find the best stories and find a way to connect three of them for each episode. We have stories about great escapes, stories about siblings, stories about food. And then we have that big Hamilton episode – no pressure in that, right?

Now that you have seen both the musical and you have filmed your episode, how do the two compare?

Less singing. (Laughs.) A little funnier. But I humbly like both of them. You don’t have to pay a thousand dollars to see Drunk History‘s Hamilton.

Did you always want to tell Hamilton’s story with Miranda or did that come about after Hamilton blew up?

It organically happened with Lin liking the show and the success of the musical. It just felt like it would be a really cool thing to try and bring the whole show full circle since it started on YouTube with Michael Cera playing Hamilton.

What was it like having him as the drunk narrator?

It was really cool. I wanted to make sure, like I do for every narrator, that they’re comfortable and they’re in a safe place. He wanted to film at his parents’ house which was really funny. I had seen that house when he got interviewed on 60 Minutes. (Laughs.) I was interviewing him but I’m not from 60 Minutes so that was surreal. I was just honored because this man is wanted by everybody. It was so sweet that he took the time and wanted to do it.

What was his drink of choice?

He got drunk off of Tennessee Whiskey. (Pause.) I know, I know.

Please tell me that we’re going to get to see Lin-Manuel Miranda barf on TV … and is it weird that seeing the narrators barf is my favorite part of Drunk History?

I think it might be weird that that’s your favorite because that’s my least favorite. (Laughs.) I have to spoiler alert: He does not barf in the episode. But I’m fascinated that that’s your favorite part. I like that you like that. They don’t puke as much anymore. Well, okay they do, but it’s usually the next day or after filming.

Why is that?

Now the narrators don’t drink until I get there. It helps me know what level of drunk they are. In the past, they would sometimes be a little too drunk if they drink without me. So that’s a big change.

You said this episode was going to have “less singing.” Does that mean that the episode is going to be somewhat musical?

I hope so. I say that because I’m hoping we can clear a song that Lin and I sing together. Fingers crossed that Lin and I sing “Closing Time.”

Since this is an election year, are you going to have any political or election themed episodes?

No, this election is just too sad. (Laughs.) I like how we are political without trying to be political.

Drunk History airs Tuesdays at 10:30 p.m. on Comedy Central.

Drunk History

Sydney Bucksbaum

Sydney Bucksbaum

THRnews@thr.com

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