NBC Brass Officially Turn Backs to Broad Comedy; Talk Olympic Sampling, OTT and Trump (Yes, Again)

August 02, 2016 10:17am PT by Michael O’Connell, Marisa Guthrie

Bob Greenblatt and Jennifer Salke meet with the TCA for a pleasant dialogue about their successes, missteps and clear affection for 'Superstore.'Bob Greenblatt  Paul Zimmerman/WireImage; Tommaso Boddi/WireImage

Bob Greenblatt and Jennifer Salke meet with the TCA for a pleasant dialogue about their successes, missteps and clear affection for ‘Superstore.’

No, NBC technically did not win the 2015-16 broadcast season — but that didn’t keep entertainment chairman Bob Greenblatt from indulging in some healthy gloating about the network’s long streak back atop the Big Four on Tuesday morning.

Speaking with press at the Television Critics Association summer press tour, Greenblatt (later joined by president Jennifer Salke) echoed his upfront messaging that NBC would have finished the recent calendar No. 1 among adults 18-49 had CBS not aired the Super Bowl. He also noted that NBC will easily finish the 52-week season (also known as a year) at No. 1 thanks to a robust summer lineup and the upcoming Olympics.

Perhaps for those reasons, NBC kicked off the broadcast stretch of the TCA with one of the most candid and agreeable executive sessions since the marathon conference started last week. Greenblatt and Salke spoke confidently about young series — sophomore comedy Superstore is emerging as a clear network favorite — and eagerly mocked their own missteps. (Animal Practice jokes just never get old, folks!)

Tuesday’s line of questioning focused on programming, particularly the network’s hobbled comedy brand, but there were some moments of wonk. Greenblatt teased upcoming news about an over-the-top streaming initiative for the network.

And, of course, nobody stood a chance of escaping the room without the obligatory question about former Celebrity Apprentice host, current GOP presidential candidate and eternal conundrum Donald J. Trump.

They’re Being More Strategic About Olympic Sampling

Seventeen days of Olympics competition gives NBC a huge promotional platform; the London Games averaged more than 30 million viewers a night. After many attempts to preview new shows out of the Games, this time NBC will give plum post-Olympics slots to two of its most popular (read: not new) programs. Superstore will get a preview Aug. 19, following primetime Olympics coverage. And The Voice will have a half-hour audition show after the closing ceremonies Aug. 21. Both are in a much better position to capitalize on the potential lift than unproved series. Responding to a question about why NBC won’t launch new fall shows after the Olympics, Greenblatt admitted that there is “viewer fatigue” after nearly three weeks of wall-to-wall Olympic coverage. (HUT levels – homes using televisions – also traditionally drop after the Olympics.) “You get that huge Olympic platform,” he added. “If we’re then going to jam into our new fall shows, it’s probably not the best time.”

A Comcast-Approved OTT Stream Is on Its Way 

When pushed about when the network will catch up with its competition that has deeply invested in over-the-top streaming, Greenblatt reminded the crowd that no other broadcast network is owned by a cable company — the very institution trying to stay afloat as viewers drift toward streaming. “Whatever we do in that space, we want to make sure it’s not an affront to the cable space,” he said. “We’re trying to craft something that is a good thing for them as well. We’re just not there yet.” Greenblatt added that he optimistically expected to have some kind of announcement in the coming months. “We know that some kind of OTT strategy is going to happen,” he said. “It’s where the audience is telling us to go. I’m not ready to talk about it today, definitely, but hopefully in the next couple of months we will.”

All Right, Broad Comedy Was a Mistake

After multiple seasons of sitcom failures, Greenblatt and Salke have credited Superstore with (hopefully) revitalizing NBC’s core comedy brand. To that end, the show will move to Thursdays this fall where it will give Mike Schur’s new comedy The Good Place an advantageous lead-in. And both Greenblatt and Salke seemed to admit that a now-aborted strategy to go broad after more niche shows including Parks and Recreation never really brought in a big linear audience. Superstore, said Salke, “feels back to an NBC smart, specific show that has heart. It’s not trying to please the whole world [kind of] show.” Of course, the measurement of success has changed in an on-demand, time-shifted TV landscape. And Greenblatt noted that when all of the long-tale consumption of Superstore is factored in, its premiere episode was as viewed as The Voice‘s season opener. It’s a stat he admitted “surprised” him. “We’re defining success of these shows in a different way, and we’re watching the economics catch up with that,” added Salke. 

Reboots Aren’t Going Anywhere

“For every failed show based on a movie, there’s probably an example of one that worked well,” Greenblatt copped, when asked about his undated TV prequel of the Taken franchise. “I think if we move into territory that looks familiar, is to not do it in a straightforward way.” He and Salke added that screenings of the first episode have gone well and that a surprising number of people weren’t actually familiar with the Liam Neeson film series. “It isn’t as big of a title as a Lethal Weapon,” Greenblatt added, noting the buzzy Fox reboot set for fall. Speaking of franchises, Greenblatt said he wasn’t sure about Dick Wolf doing a fifth Chicago series, though Salke expressed interest in a new New York-based series from the Law & Order creator. 

Donald Trump: Still NBC’s Elephant in the Room

Difficult as it may be to believe, this is the third press tour since Trump announced his bid for the presidency of the United States. And, in perhaps the only tense moment of the 50-minute meeting with critics and reporters, Greenblatt was asked (in so many words) to address TV’s culpability in creating Trump and this unprecedented presidential race. “It’s certainly interesting, and we do talk about it,” he said. “Bedtime for Bonzo helped [Ronald] Reagan become a national figure…. We were happy to have a show that was doing really well with a guy who was a big TV star. It’s impossible to see where it would go from there.” Greenblatt closed by noting that The Apprentice, a show on the air long before his tenure at the network, probably didn’t cause the current political scenario. “I don’t think there’s one correlation from one to the other,” he said. “It is interesting.” (Later, in a scrum of reporters, Greenblatt asserted the obvious — that Trump would “never” host the franchise again.)

Television Critics Association NBC

Michael O'Connell
Marisa Guthrie

Marisa Guthrie

THRnews@thr.com

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NBCU Cable Upfront: More Wrestling, Scripted Forays and Three Other Takeaways

Keeping Up With the Kardashians

E!

“Keeping Up With the Kardashians”

For the first time, NBCUniversal Cable presented its entire catalog — that’s Bravo, E!, USA, Syfy, Esquire, Sprout and Oxygen —  during one upfront event. And unity was the big talking point.

Chairman Bonnie Hammer opened the show, walking out on stage to MC Hammer‘s “You Can’t Touch This” — though the audio ended just short of a “Stop. Hammer time!” She was on-hand not just to focus on the future, with all programming showcased across the networks from upcoming series, but to stress the company’s push to become a one-stop shopping destination for media buyers with its Symphony initiative.

There were also a whopping 120 members of the portfolio’s on-air talent, many of whom graced the stage during the presentation. (Joan Rivers and Joel McHale got the biggest laughs.)

The evening also offered new glimpses at first-time scripted offerings from Bravo and E! and brought big news for NBCU’s partnership with World Wrestling Entertainment.

Here are the key takeaways:

One-Stop Shopping with Cocktails
NBCUniversal ad sale president Linda Yaccarino appealed to media buyers need to cobble together myriad deals on every conceivable platform and device by stressed the cable portfolios ability to “deliver unprecedented levels of engagement and effectiveness” at “unparalleled scale and targetability.” The company is rolling out its Symphony initiative — a cross-network and multi-platform marketing approach used to promote Universal Pictures Despicable Me and SyFy’s Defiance — to the general market. And Yaccarino, who also addressed media buyers at NBC’s presentation here on Monday, stressed that Symphony is not just a cross-network buy but one that comes with the accountability of advanced measurement technology with “more innovation and more targeting than anyone else in the business.” In the end, Yaccarino’s attempt to appeal to buyers who have already sat through at least half a dozen presentations came down to the open bar, which she promised would re-open in 85 minutes. “Think of is,” she said, “as one-stop shopping with cocktails.” (Symphony was further driven home via a video montage of NBCUni cable celebrities playing air violin, and flute and French horn to the tune of Queen’s “Bohemian Rhapsody” and a rap from Royal Pains star Mark Feuerstein.)

The Kardashians are Still a Keystone
E!’s reality franchise may be looking a little long in the tooth, and the ratings are starting to show as much, but Kim Kardashian remains an integral part of their brand. The reality star was the first in the slew of talent to grace the stage, beckoned when Yaccarino referred to herself as the Kim Kardashian of NBCUniversal. (Sorry, Linda, that job’s taken.) Kardashian, who struggled a bit with the teleprompter introduced the E! segment of the presentation, and figured prominently in the ensuing onslaught of promotional videos.

We’re the Most Interactive Networks
The presentation was infused with multi-platform stats -many of them as nebulous as those rolled out at previous presentations. And Bravo star Andy Cohen was tapped to introduce a clip that rapidly scrolled through the various networks’ initiatives including TV Everywhere, participation TV, transmedia (epitomized by the Suits Recruits game), social commercials and social media integrations including the E! News “Instagram wall” which tracks celebrities’ Instagram feeds. Cohen’s ever-growing Watch What Happens Live incorporates a drinking game into its nightly telecasts, prompting a handful of the presentation’s many references to boozing. After all, it’s been a long week.

WWE Is Here to Stay
One newsy bit to come out of the presentation was from the WWE. NBCU has reupped its deal with the wrestling giant to keep the entertainment-sports hybrid going on E!, USA and Syfy for the foreseeable future. No terms of the deal were disclosed but it’s expected to be a long-term pact. 

Come for Reality, Stay for Scripted
Two long-gestating projects finally made their way outside of company walls during the presentation. E! scripted debut The Royals (a sudsy drama starring Elizabeth Hurley) and Bravo’s first scripted projects Girlfriends Guide to Divorce and Odd Mom Out all screened trailers for the first time. Each of the projects received hearty applause from the crowd — but nearing 6 p.m. on Thursday, this was one slaphappy group. One of the Real Housewives of Pittsburgh could have gotten a standing ovation by the end of the 90-minute program.

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NBC News and Chris Hansen Part Ways

Chris Hansen

Virginia Sherwood/NBC

Chris Hansen

Why don’t you take a seat over there? Chris Hansen, the broadcast journalist who famously cornered alleged pedophiles for years on To Catch a Predator, is now a free agent.

NBC News confirms to The Hollywood Reporter that the Emmy-winning reporter’s contract has not been renewed — as first reported by TV Guide. Hansen’s exit marks an end to a 20-year career with NBC. His time working as a correspondent included Dateline coverage of breaking news events such as the Oklahoma City bombing, the Columbine shootings, the Unabomber and the crash of TWA Flight 800.

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But in the wake of To Catch a Predator‘s conclusion and Dateline’s move from breaking news to narrative murder mysteries and true crime, Hansen has seen his screen time diminished. NBC News also backed off on the controversial-but-popular Predator and its Dateline segments when the subject of one of its investigative pieces, in which Hansen interrogated sexual predators the show and watchdog group Perverted-Justice would find online, committed suicide during a taping.

NBC Universal ended up “amicably resolving” a $105-million lawsuit brought on by the man’s sister.

Hansen, who could not immediately be reached for comment, is said to be moving on to hosting and producing projects that will be announced in the coming months. A seven-time Emmy winner and the recipient of four Edward R. Murrow Awards, among other accolades, Hansen was most recently the subject of a tabloid scandal focused on his personal life.


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