‘Gilmore Girls’ Creator and Stars Discuss Final Four Words: “It Made Complete Sense”

November 25, 2016 12:01am PT by Kate Stanhope

"It's an emotional moment," Amy Sherman-Palladino tells THR about filming that final scene.

Saeed Adyani/Netflix

“It’s an emotional moment,” Amy Sherman-Palladino tells THR about filming that final scene.

[Warning: This story contains spoilers from the fourth and final installment of Netflix’s Gilmore Girls: A Year in the Life, “Fall.”]

The final four words have finally been spoken.

For nearly a decade, Gilmore Girls fans have been clamoring to find out the final four words that creator Amy Sherman-Palladino wanted the series to end with. When Netflix officially greenlit the four-part revival, Gilmore Girls: A Year in the Life, last January, it not only represented a chance for die-hard viewers to get to revisit Stars Hollow and catch up with all their favorite residents, but much more importantly, a chance to finally see just how Sherman-Palladino intended for the beloved series to wrap.

Everyone, that is, except Lauren Graham.

“I didn’t know it was a thing actually,” Graham told The Hollywood Reporter about the highly anticipated final scene. “I didn’t know until halfway through filming this that those existed and then Amy told them to me on the set. I was surprised for a minute and then it made complete sense.”

The fourth and final 90-minute chapter of the revival, titled “Fall,” ended with Lorelai (Graham) and Rory (Alexis Bledel) sitting together in the gazebo mere hours after Lorelai and Luke (Scott Patterson) finally tied the knot. Rory (finally) got dumped from her basically non-existent and very unmemorable boyfriend Paul but as Lorelai reassured her that both she and Paul would find their “someone amazing,” Rory began to look increasingly distraught. Then, Rory turned to her mother suddenly. “Mom?” she said. “Yeah,” Lorelai responded. “I’m pregnant,” Rory said. Cue a profile shot of Lorelai’s stunned face and then the screen cut to the credits, with the iconic theme song playing.

Although the final four words were never written down in the script for “Fall,” Graham said she was still reluctant to read the script for the final installment and find out just how things would wrap up.

“I had a very general sense of where Lorelai was that made complete sense to me and then, what I didn’t know exactly is how it would end,” Graham recalled. “For the longest time, I couldn’t read ‘Fall,’ which is our last episode. I was like, ‘This is psychotic, I have to read where this ends up,’ but I think I was both worried it wouldn’t be satisfying and also just kind of wanted to save it. Eventually, I read it and it was very satisfying.”

When it came time to actually film the famed final four words, Bledel said she felt “a lot of pressure to get it right, to make it awesome. More than anything, I was just trying to be really focused and really present just to make sure that whatever I did in the scene felt rooted in my experience of the character and I was communicating something that felt real to me.”

Looking back, Sherman-Palladino said it was an “interesting” experience finally seeing the words that had been living in her head come to life so many years later.

“It was emotional for like Lauren, Alexis, [executive producer] Dan [Palladino] and me, but you’re surrounded by a giant crew that only care about lunch and they want to move on and the [director of photography]’s losing the light, the [production assistants] are all talking to each other or on their headphones and we’re trying to get the extras to shut up…”

Palladino chimed in: “You’re surrounded by people that don’t give a flying f–.”

However, Sherman-Palladino said there was a silver lining to filming the highly anticipated moment under such “weird” circumstances, as she herself called it. “Otherwise it would just be a sob fest and we’d all be like lying on the ground waiting until the valium arrived.”

Despite years of build-up, Sherman-Palladino said the final scene lived up to her expectations. “It was satisfying in the context of when we put it altogether,” she said. “It’s an emotional moment.”

But will that emotional – and surprising – moment really be the end of Gilmore Girls? As Sherman-Palladino previously told THR, she’s waiting to see just how viewers embrace A Year in the Life before plotting a next move.

“We really had a very specific journey in our minds and we fulfilled the journey. So to us, this is the piece that we wanted to do. And the whole thought about, is there more, is there more, is there more – this has to go out into the universe now,” Sherman-Palladino said. “And then whatever happens, happens.”

What did you think of the final four words? Do you want to see more new episodes? Share your thoughts in the comments below.

Gilmore Girls

Kate Stanhope

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TV Ratings: ‘This Is Us’ Holds Strong Before Holiday Weekend

TV Ratings: ‘This Is Us’ Holds Strong Before Holiday Weekend | Hollywood Reporter

November 23, 2016 9:49am PT by Michael O’Connell

'NCIS' ticks up — easily topping all of Tuesday in total viewers.

Ron Batzdorff/NBC

‘NCIS’ ticks up — easily topping all of Tuesday in total viewers.

This Is Us lost a little steam on Tuesday, but it managed to hold remarkably strong on the Tuesday night before Thanksgiving.

The NBC drama topped all other broadcast (and cable) offerings for the evening with a 2.4 rating among adults 18-49, off two-tenths of a point from the prior week. With a dipping episode of The Voice (1.8 adults) and a dead even Chicago Fire (1.5 adults) on either side, NBC walked away with an easy Tuesday victory in the key demo.

ABC put up a solid fight with the season finale of Dancing With the Stars. Up a skosh from the prior season finale, the two-hour block fetched a 1.8 rating among adults 18-49. That gave it the same score as The Voice in the key demo. The network also had steady episodes of The Middle (1.6 adults) and American Housewife (1.4 adults).

NCIS was the night’s lone show to improve before the holiday weekend. The CBS drama was up to a 1.9 rating among adults 18-49, followed by even episodes of Bull (1.5 adults) and NCIS: New Orleans (1.2 adults).

Linear returns for Fox’s comedy-centric Tuesday remain lackluster. Live-plus-same day scores have Brooklyn Nine-Nine (0.9 adults) even — but New Girl (0.8 adults) and Scream Queens (0.5 adults) both down.

The CW had even episodes of The Flash (1.1 adults) and No Tomorrow (0.3 adults).

TV Ratings

Michael O'Connell

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‘Chicago Fire’: Brett’s and Antonio’s Double Date With Casey and Dawson Takes an Awkward Turn (Exclusive Video)

‘Chicago Fire’: Brett and Antonio Double Date Video | Hollywood Reporter

November 23, 2016 9:00am PT by Kate Stanhope

The two get affectionate while out on the town with Dawson (Monica Raymund) and Casey (Jesse Spencer).

Jean Whiteside/NBC

The two get affectionate while out on the town with Dawson (Monica Raymund) and Casey (Jesse Spencer).

Things between Brett (Kara Killmer) and Antonio (Jon Seda) are heating up fast on Chicago Fire.

Excuse the pun, but The Hollywood Reporter‘s exclusive video from Tuesday’s episode, “Lift Each Other,” leaves little evidence to the contrary.

After Brett (finally) made a move on Antonio in the most recent episode, the blossoming couple are moving full speed ahead. First things first: A double date with Antonio’s sister, Dawson (Monica Raymund), and Casey (Jesse Spencer) in which the two can’t keep their hands off each other.

However, their PDA-packed dinner is just the beginning when Dawson brings up that the Dawson clan is coming into town and invites Brett to a big family function. But is she ready to meet the parents after just a few dates? 

Check out the exclusive video below.

Chicago Fire airs Tuesdays at 10 p.m. on NBC.

Chicago Fire

Kate Stanhope

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