TV Upfronts: 5 Takeaways from CW’s Presentation

Reign

“Reign”

Ad buyers packed into New York City Center Thursday morning for a CW upfront presentation focused on new measurement and high-concept fare.

PHOTOS: The CW’s 2013-14 Season: ‘The Originals,’ ‘Tomorrow People’ and ‘Reign’

After a brief and lively performance by red hot music group Icona Pop, CW President Mark Pedowitz appeared on-stage flanked by the network’s biggest stars, The Vampire DiariesNina Dobrev and Ian Somerhalder. In addition to introducing his new slate and trotting out a bevy of attractive 20-somethings, the man in charge of the younger-skewing network highlighted the CW’s progress in a fast-changing media landscape. “We’re going to keep the CW going,” Pedowitz said with confidence, “on air, digitally, socially.”

Here are the five takeaways from the presentation.

1. Multiplatform Pioneers. Ad sales chief Rob Tuck opened the presentation with brief remarks about the network’s fully integrated TV-digital media buy, now in its third upfront season. From there, Pedowitz offered media buyers a flurry of statistics to bolster the network’s engagement among its young, platform agnostic and digitally savvy target audience: initiated streams are up 81 percent from a year ago; 20 percent of the network’s viewing is done digitally; the live stream app has been downloaded about 4.5 million times since its launch last year; CW shows are available on Windows 8, Xbox and now Apple TV. “We are growing on air we are growing digitally,” said Pedowitz, who will launch seven web series under the newly named online incubator, CW Seed. “We have always been a leader in the digital space. We knew we were changing the industry and others are finally following suit.”

CW Schedule: ‘Originals,’ ‘Supernatural’ on Tuesdays; ‘Nikita’ Final Run Set for Midseason

2. We’re Not CBS. Lest ad buyers forget, Pedowitz was on hand Thursday to remind those with deep pockets that the CW’s goals are vastly different than those of the other broadcast nets. At this time last year, the president of the younger-skewing network laid out a suite of goals for a “transformative” year, all of which he says the CW has made headway with this season. Among them: more original programming; greater momentum on-air; having content available everywhere; and broader appeal fare for the net’s 18-34 audience. Pedowitz notes that the net is now up in men, thanks to breakout hit Arrow and veteran player Supernatural.

3. Nielsen, Shmielsen. Big Bang Theory numbers they are not. But in a changing landscape, Pedowitz bills a CW show like Vampire Diaries a “new paradigm hit.” Which is to say the soapy vampire drama from Julie Plec and Kevin Williamson draws viewers on TV, online and on social media. In fact, he touted TVD as “the No. 1 social scripted program on broadcast TV.”

VIDEO: Watch Trailers for All of The CW’s New Shows
 
4. Highest Hopes.
Newcomers The Tomorrow People (a reboot from Plec and Arrow co-creator Greg Berlanti) and period piece Reign garnered the schedule’s most promising time slots. The former (a fantasy drama about a people who represent the next stage in human evolution) will bow behind Arrow, while the latter (a departure, about the untold story of Mary Queen of Scots) gets the plum post-Vampire Diaries period. (Pedowitz noted that TVD offers the biggest potential for femme-skewing Reign to draw a female audience.) TVD spinoff The Originals will be relied upon to open the night on Tuesdays.

5. More, More, More. With the declining value of reruns in a time shifted television universe, Pedowitz talked up the network’s significant investment in original content, including summer offerings Capture, Breaking Pointe and the revival of Whose Line is it Anyway?. Later, he noted that the latter is a way for the network to return to comedy and, if successful in the summer, could move to the in-season schedule. Post presentation, Pedowitz added: “If Whose Line works, we’ll definitely go back into the sitcom business.


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TV Upfronts: 7 Takeaways From the CBS Presentation

The Crazy Ones

CBS

“The Crazy Ones”

Madison Avenue buyers loaded into CBS’ upfront presentation at Carnegie Hall Wednesday afternoon for a sell made easy. The network will round out the season as the No. 1 net in all key demographics. Most impressive is the 18-49 demo, which CBS overtook for the first time in more than 20 years. As CBS Entertainment chief Nina Tassler would later point out, CBS has hits in every key demo, on every night and in every genre.

Head honcho Leslie Moonves, CBS Corp. CEO, couldn’t resist taking his shots at the competition; their lesser ratings and more behind-the-scenes drama. “We think great drama belongs in primetime not at 7 o’clock in the morning,” said Moonves as the screen showed stills of Ann Curry‘s tearful goodbye from Today and an embrace between NBC’s Jimmy Fallon and Jay Leno.

PHOTOS: CBS’ 2013-14 Season: ‘Hostages,’ ‘Intelligence,’ ‘Mom’ and ‘The Millers’

As part of the star-packed 90 minutes, the network also trotted out A-list talent including the cast of The Big Bang Theory, David Letterman and Robin Williams, star of the net’s new Thursday night comedy The Crazy Ones. The former Mork & Mindy star observed that a lot has changed since he’s been on television. Pitch meetings, he recalled, were “just a bunch of executives and a mound of cocaine” at that time.

Here are the seven takeaways from the CBS presentation:

1. Enough with the Old Jokes – Moonves is sick and tired of hearing competitors bash CBS as the “old” network. (Jimmy Kimmel got a big laugh about his “grandmother’s Mentalist hemorrhoid doughnut” at the ABC upfront.) As Moonves pointed out, CBS will finish the season as the No. 1 network among the 18-49 viewers that the other networks covet for the first time since the 1992-93 season. “When making your buys,” he told ad buyers, “please don’t hold our youth against us.”

2. Laughing All the way to the Bank – CBS’ comedies played particularly well, reassuring for a network that has publicly stated that comedy was a major priority this development season. While Greg Garcia‘s The Millers starring Will Arnett and Margo Martindale drew the week’s biggest laughs, Robin Williams’ The Crazy Ones was a close second with the series set at an ad agency striking a chord with the Carnegie Hall audience.

STORY: CBS Schedule: ‘Millers’ Nabs Post-‘Big Bang Theory’ Slot in New 4-Comedy Thursday Block

3. Who Needs a Jimmy – After joking that everyone has a “Jimmy” but CBS, Moonves trotted out the host for whom he has and will continue to be committed: David Letterman. The mere fact that Moonves got Letterman to show up at his upfront presentation was impressive enough; but the CBS CEO did one better. He got the long-running late night host to stand before a theater full of advertisers and praise his network as well as his boss for offering him a stable home. The latter followed a lengthy, forceful hug by Letterman — a move that garnered big laughs given the late night shake-up taking place at NBC. Of course, Letterman couldn’t play it totally straight, which is why he closed out his brief appearance on a light note, telling Moonves that he was “honored to be here for your pledge drive.”

4. One Year More – Lest the room needed a reminder of CBS’ stability, the network opened the presentation with a tribute to it’s long-running hit comedy, How I Met Your Mother. And with a ninth and final season forthcoming, it isn’t going to go out quietly. The network turned to the dynamic cast for a taped parody of One Day More — the second of upfront week! — which the actors finished from the Carnegie stage. Of course, the HIMYM cast changed it to One Year More, and incorporated lines like “no one our knew our names, except for Doogie and that band camp chick.”

5. About That Super Bowl Blackout – Now that the longest 33 minutes of his year is behind him, Moonves can laugh about it. Sort of. Extolling the success of the past year “when the true power of our network came shining through,” said Moonves as a picture of the darkened Super Dome flashed on the screen, “well except for a few minutes at the Super Bowl.”  He added dryly: “Trust men it wasn’t that funny at the time.”

6. News is a Priority – CBS Evening News anchor Scott Pelley and CBS This Morning co-host Norah O’Donnell were on hand to talk up the third-place news division’s rising ratings. And they used the opportunity to remind media buyers that CBS gets it right (a direct reference to mistakes made by other news organizations during coverage of the Boston Marathon bombing) by “verifying what we learned,” said O’Donnell.

7. Smug Indeed – Kimmel may have been on to something. Twenty-four hours after the late night host jokingly dubbed CBS a bunch of “smug motherf—ers” at ABC’s upfront presentation, Moonves stood on stage and touted his net’s strengths — and his rivals’ weaknesses. At one point, he displayed a chart in which CBS outranks all of the competition this season by more than 4 million viewers. “I think its cute how all the other networks are so close together,” he quipped of the lesser-watched nets. To make his case more succinctly, Moonves boiled it down in a single faux tweet. On the screen, @MoonMan1 had tweeted: “Upfront message easy. CBS wins everything. #DropTheMic.” After the laughter died down, Moonves suggested he doesn’t know what “dropping the mic” means but that NCIS: Los Angeles star LL Cool J told him it was “dope.”


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TV Upfronts: Six Takeaways From the Fox Presentation

Rake

FOX

Greg Kinnear in “Rake”

As Madison Avenue buyers packed into the Beacon Theatre Monday, they were greeted with Fox’s annual dose of star power — and 90 minutes devoted to cutting through in a changing landscape.

Here are the takeaways:

A rough fall. “Part of the upfront is being upfront,” notes Kevin Reilly, before serving up the kind of candor for which he has become known: “This was not our best year.” Translation: Fox ceded its 18-49 crown to CBS for the first time in several years. But to hear him and ad sales president Toby Byrne tell it, Fox is excelling in plenty of other metrics. For instance, the network has spent 11 seasons as No. 1 among the 18-34 set, and its shows over-index in delayed viewing, which would imply “engagement.” A recent episode of The Following, for instance, gained 81 percent once seven days of delayed viewing were factored in. Reilly does use the platform to assure his deep-pocketed audience that Fox will return to its No. 1 status among the coveted 18-49 demo next season, a statement he is confident making given both his lineup as well as the inclusion of the Super Bowl. 



VIDEO: Watch Trailers for the New Fox Shows

Men, Men, Men. If last year was all about the funny ladies of Fox, this upfront was all about the comedy offerings of men. Max “Schmidt” Greenfield was called upon to introduce the comedy clips, which feature a slew of different actors, from Geoff Stults (Enlisted) to Andy Samberg (Brooklyn Nine-Nine) to Seth Green (Dads) to Chris Meloni (Surviving Jack). Reilly’s hope is that the new crop will not only offer a jolt of testosterone, but also the potential to lure a broad audience — or at least a broader audience than its current critically beloved, low-rated femme-skewing lineup.

Social Media Matters. A lot. There was much time devoted to talk about Twitter, with Reilly boasting Fox’s status as the No. 1 social network, according to Blue Fin Labs, and making note of a new partnership with Twitter. In fact, Fox enlisted its top talent, including J.J. Abrams, James L. Brooks, Mindy Kaling, Ryan Seacrest and Liz Meriwether to acknowledge the value of other platforms in a pre-recorded video, while still driving home the value of broadcast TV — and more specifically, Fox. The network’s digital initiative got some praise, too, including including ADHD, Wigs (about the lives of women) and Short-com Comedy Hour. “This is my ideal sitcom, said Kevin Smith in a video introducing the latter. “It’s a tiny version of it.” It’s something of a head-scratching initiative since what media buyers are looking for is portability of established content. Of course, random short-form content has mostly failed to rise above the DIY cacophony of the Internet.

About that Lack of Ill Will… Earlier in the day, Reilly confirmed that Randy Jackson would not be returning to American Idol, noting that there was “not an ounce of ill will” on either side. But when Simon Cowell took the stage with his fellow Fox unscripted stars, he joked to his former Idol pal: “Where’s Randy?” To which host Ryan Seacrest blurted, “Ask Kevin.” The comment was followed by brief and decidedly awkward laughter from both the stage and the audience. As for the long-running show, Reilly took the opportunity to remind media buyers that “twelve years in, [Idol is] still a top five show. I don’t think any other show in history has generated so much cultural relevancy and attention.”



PHOTOS: Fox’s New Fall Lineup

Watch Out Cable. Reilly reiterated a point he made earlier, which is that cable originals may get outsized attention and praise, only four of the top 50 shows appear on basic cable. And his high-stakes Kevin Bacon effort, The Following, out-rates all but one (The Walking Dead). On the receiving end of Reilly shout-outs: the long-running Bones casts as well as the network’s most prestigious stars, Bacon and Rake star Greg Kinnear. Lest the ad community didn’t notice Kinnear in the drama actor lineup, Reilly selected the Oscar-nominated actor to step forward and intro the net’s drama clips, which he did with a much-needed dose of humor. Kinnear turned to Reilly and suggested that his deal noted that Rake would “run in its entirety without commercial breaks,” he quips, adding: “So I don’t know what the hell all of these people are doing here.”

Reviving a Broadcast Tradition. Throughout the 90-minute presentation, Reilly stressed the network’s investment in content, as if to reassure media buyers who may be jittery over the network’s double-digit ratings declines this season. And one place where Fox is putting significant resources is in limited series including Tom Fontana and Barry Levinson’s Billy the Kid, M. Night Shyamalan’s Wayward Pines, and an adaptation of Jeffrey Toobin’s O.J. Simpson tome The Run of His Life and a remake of the classic Shogun.


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