Fox Orders Buddy Cop Show from J.J. Abrams

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J.J. Abrams

Fox is back in business with J.J. Abrams.

The network has ordered to pilot Abrams’ untitled Bad Robot/J.H. Wyman drama project. The hourlong effort is being billed as an action-packed buddy-cop show set in a near future when all LAPD officers are partnered with highly evolved humanlike androids.

STORY: TV Pilots 2013: The Complete Guide

Fringe’s Wyman will write and exec produce, with Abrams and Bryan Burk on board as EPs. Kathy Lingg is attached as a co-executive producer on the pilot from Abrams’ Bad Robot Productions in association with Warner Bros. Television. The order comes one week after their cult darling Fringe ended its run on Fox and a day after news broke that Abrams will direct the next Star Wars film.

The untitled Wyman effort joins five other drama pilots in contention, including Karen Usher‘s Delirium; an adaptation of Rake; and Sleepy Hollow, from another Fringe duo, Bob Orci and Alex Kurtzman. With a sixth addition to the network portfolio, Fox — which has been criticized this season for its lack of a bench — now has ordered more drama pilots than it did last year.

Abrams and Wyman are repped by CAA.


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Craig Robinson, Greg Daniels Comedy Gets Pilot Order at NBC

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Greg Daniels & Craig Robinson

NBC is adding to its comedy portfolio with another workplace comedy from The Office producer Greg Daniels.

The network ordered to pilot the Untitled Owen Ellickson and Craig Robinson single-camera project, which centers around a talented musician (Robinson) who adjusts to his new life as a middle school music teacher, where he maneuvers precocious kids, teacher politics, and the temptations of single moms. 

STORY: TV Pilots 2013: The Complete Guide

Ellickson, a supervising producer on The Office, is set to write and executive produce the pilot for Universal TV, Daniels’ Deedle Dee Production and 3 Arts Entertainment. Daniels will executive produce alongside Deedle Dee’s Tracy Katsky, 3 Arts’ Howard Klein and Mark Schulman. Robinson will serve as a producer on the project.

With The Office coming to an end later this season, NBC brass has been vocal about its desire to broaden its comedy fare. At this stage of the development season, the net has 11 additional half hour pilots in contention, including Joe, Joe & Jane, Jason Katim‘s About a Boy adaptation and an untitled Sean Hayes project.  

For Daniels, this marks his second pilot order this season. He also has an untitled effort set up at NBC with The Office‘s Robert Padnick. The latter revolves around the trials and tribulations of dating in your 20s as told through a group of friends.

Daniels is repped by WME, 3 Arts and Ziffren Brittenham; Robinson is repped by UTA and 3 Arts.

 


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Pilot Season Trends: Thirty-Somethings, Dysfunction and Adaptations

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After a deluge of pilot orders that brought the network pilot count to nearly 50 on Tuesday, THR took a closer look at what, and who, was faring particularly well thus far this season. Among the trends: more adaptations — from books, plays or even blogs — as well as thirty-something characters, dysfunctional themes and semi-autobiographical story lines. 

What’s Old is New Again

In a bid for built-in brand equity and proven plot lines, the latest crop of pilots is again heavy on adaptations. At least 15 efforts — or nearly a third of those pilots already ordered — have their roots in books (see Bill Lawrence’s I Suck at Girls effort at Fox), movies (CBS’ Beverly Hills Cop from Shawn Ryan), plays (NBC’s Assistance from Bachelorette’s Leslye Headland), graphic novels (NBC’s The Sixth Gun from Lost’s Carlton Cuse) and overseas series (CBS’ Backstrom from Bones’ Hart Hanson). And that doesn’t include the two spinoffs — for NCIS: LA and Vampire Diaries) that are in contention at CBS and the CW, respectively.

All About Me

As it was during development season, semi-autobiographical fare is again garnering interest, with at least four projects in contention this pilot season. Among those who have taken “write what you know” to heart: Jim Gaffigan, whose CBS comedy pilot revolves around Gaffigan as a happily married and harried New York City father of five — as he is in real life; and Adam F. Goldberg, whose ABC comedy How the Hell Am I Normal? is billed as a dysfunctional Wonder Years set in the simpler times of the 1980s and inspired by his childhood. NBC’s untitled DJ Nash effort, about a son who idolizes his blind father, is bemused by his mother’s newfound adolescence and watches his family come closer together post-divorce, is said to be loosely based on Nash’s life, too. The same can be said for NBC’s semi-autobiographical Joe, Joe & Jane from Joe Port and Joe Wiseman, which centers on a conflict-avoidant children’s book author caught in an ongoing tug of war between two needy, flawed people: his wife and his co-author/best friend. 

STORY: TV Pilots 2013: The Complete Guide

Pilot Season Power Houses

Former William Morris TV agent-turned-prolific producer Aaron Kaplan has landed three pilot orders already this season. He has comedy Pulling at CBS; Friends With Better Lives at CBS; and The Gates at NBC. Raising Hope showrunner Greg Garcia landed two half-hour pilots at CBS on the same day; both are set up at his new studio home, CBS Television Studios. Bad Teachers Gene Stupnitsky and Lee Eisenberg have two pilots at ABC: Pulling and Trophy Wife, about a reformed party girl who finds herself with an instant family when she falls in love with a man who has three manipulative children and two judgmental ex-wives. Will Gluck‘s Olive Bridge nabbed a pilot order for The McCarthys at CBS; the latter joins his Michael J. Fox comedy, which garnered a straight-to-series full season order at NBC. Rescue Me‘s Peter Tolan, too, has two pilots in contention, with one at Fox (Greg Kinnear starrer Rake) and the other at CBS (the untitled Jim Gaffigan comedy). And while Ted scribes Alec Sulkin, Wellesley Wild and Seth MacFarlane have only one project, their comedy entry, Dad, got a six-episode straight-to-series order at Fox.

Thirty-Somethings are the New Twenty-Somethings

Like its graying audience, the networks’ onscreen talent is aging, too. At least three comedy offerings this pilot season are focused not on the twentysomethings that populate such series as Happy Endings, Community and recently yanked Don’t Trust the B—- Apt 23, but rather on the slightly more mature thirty-something set. ABC’s Pulling centers on three dysfunctional women in their 30s living their lives the way they want, even if society tells them they should have it all figured out by this point. CBS has Friends With Better Lives, about a group of thirty-something friends who each think the other has it better. And Fox has made a big bet on Seth MacFarlane, Alec Sulkin and Wellesley Wild‘s Dad, which focuses on two successful guys in their 30s who have their lives turned upside down when their nightmare dads unexpectedly move in with them.

Finding Function in Dysfunction

At least two pilots in contention have the word “dysfunction” spelled our in their log lines. They are ABC’s Pulling and How the Hell Am I Normal? from Bad Teacher scribes Eisenberg and Stupinsky and Goldberg, respectively. Although not explicitly stated in the others’, the descriptor is likely to apply to the worlds created in such pilots as Fox’s Dad from the Ted trio and CBS’ unauthorized Garcia effort, which revolves around a recently divorced man whose life is complicated when his parents decide to move in with him, among others.


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