‘Nashville’ Adds ‘Looking’ Grad Murray Bartlett in Recurring Role for Season 5

September 22, 2016 12:12pm PT by Kate Stanhope

The actor will play a successful fashion designer.

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The actor will play a successful fashion designer.

Looking star Murray Bartlett has found his next TV gig.

The star of the HBO comedy has joined Nashville in a recurring role for season five, it was announced Thursday.

Bartlett will play Jakob Fine, a very handsome, charismatic and successful men’s fashion designer. He joins fellow new additions Jen Richards (I Am Cait) and Grammy winner Rhiannon Giddens of the group Carolina Chocolate Drops, who are also set to recur for the upcoming fifth season. 

The trio come to the ensemble just as former series regulars Will Chase and Aubrey Peeples exit the country music drama, which is set to bow in January on CMT. The upcoming fifth season marks Nashville’s first on the cabler, following four seasons on ABC. CMT and Hulu, which will stream episodes the day after they air, joined forces to resurrect the series in June, one month after it was canceled by ABC.

Nashville, which is co-produced by Lionsgate, ABC Studios and Opry Entertainment, also will welcome new showrunners this season in Marshall Herskovitz and Ed Zwick (thirtysomething, My So-Called Life).

For Bartlett, the role comes after two seasons on the acclaimed comedy Looking, which wrapped with a TV movie in July. His other credits include The Good Wife, Sex and the City, Damages and White Collar. He is repped by Paradigm and Anonymous Content.

On Tuesday, CMT also released a new behind-the-scenes look at Nashville‘s upcoming move to the Viacom-owned channel:

Nashville returns with a two-hour premiere on Thursday, Jan. 5 at 9 p.m. on CMT.

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Kate Stanhope

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‘Notorious’ Star Daniel Sunjata Talks Taking Over ‘Scandal’s’ Timeslot and ‘Moonlighting’ Comparisons

September 22, 2016 10:58am PT by Kate Stanhope

The Tony nominee plays a criminal defense attorney inspired by Mark Geragos.

Eli Joshua Ade/ABC

The Tony nominee plays a criminal defense attorney inspired by Mark Geragos.

Daniel Sunjata had his pick of roles this past pilot season. After his USA series Graceland was canceled in October, the actor quickly shot to the top of casting wish lists’ across Hollywood and received 10 offers for various projects.

“That’s never happened for me before in my life,” Sunjata tells The Hollywood Reporter. “When I hear that or read that kind of thing, it sounds like they’re talking about somebody else, to be quite honest.”

It’s this kind of humility and sincerity that show just how different Sunjata is from his character on ABC’s first-year drama, Notorious. In the series, premiering Thursday on ABC, he plays criminal defense attorney Jake Gregorian – a character loosely inspired by famed real-life criminal defense attorney Mark Geragos.

“I looked carefully at all the options that I did have on the table,” Sunjata says. “I was very grateful that I had options at all.”

After all, Sunjata has logged more than 15 years in the industry. Since making his TV debut in the short-lived political drama D.C. back in 2000, Sunjata has amassed a slew of memorable supporting roles on TV (Grey’s Anatomy, Law & Order: SVU) and films (The Devil Wears Prada, The Dark Night Rises) in addition to starring roles in the ESPN mini The Bronx Is Burning and the Broadway play Take Me Out, which for he earned a Tony Award nomination. He was perhaps most well known for his seven-year turn as firefighter Franco Rivera on the FX series Rescue Me.

After the end of Rescue Me in 2011, Sunjata moved up to No. 1 on the call sheet with Graceland, playing the morally ambiguous and multi-layered veteran FBI agent Paul Briggs. However, ratings waned and as the network moved its focus to more edgy fare like Mr. Robot, Graceland got the axe.

“I was grateful that the opportunity had come my way,” he says. “We did get three seasons in and I had a fantastic time playing that character.”

The question soon turned to what came next. “There is a factor in having just gotten off of a TV show,” he admits. “I didn’t know when Graceland started how long it might stay on the air. Anytime you sign up to do a show, you’re mentally preparing yourself for either anything between canceled before first day of rehearsal to 10 seasons on Grey’s Anatomy or something like that; you kind of never know.”

Unsure of his next move and hesitant about the what he calls “the unknown quantity” of pilot season., Sunjata stayed in South Florida, where Graceland filmed. He eventually started going on auditions “here and there,” and soon he received the Notorious script.

The writing and, specifically, the character of Jake “aroused my artistic creative curiosity,” as Sunjata puts it. “Knowing that it was based on Mark Geragos – what the complexities of representing somebody like Scott Peterson or having a client like Chris Brown would be like, and that it was going to be loosely based or inspired by Mark – it just made it appetizing,” he says. “Also I’ve never been the lead on a major network or a lead on a major network before.”

It’s no coincidence that that network happens to be ABC, which Sunjata also says played a role in his decision to come onboard. “I don’t think they’re trying to do so but they’ve been fairly progressive,” he says, pointing particularly to Scandal and How to Get Away With Murder. “When you look at ABC and you compare it to the landscape of its peers, [there is] diverse casting.”

Sunjata signed on in February and the pilot was picked up to series by ABC in May. The network further demonstrated its confidence in the series by bestowing Notorious with the prime post-Grey’s Anatomy timeslot normally belonging to Scandal, after the Kerry Washington drama was pushed to midseason.

“I don’t know it just seemed like a confirmation. It was certainly not the time slot we were expecting to get, and we were all overjoyed,” he says. “It just seemed like the universe saying, ‘Yeah, there’s something special about this show, Notorious.‘ At the very least, even if that’s not true, it’s an honor.”

Notorious is specifically inspired by Geragos’ working relationship with longtime Larry King Live executive producer Wendy Walker. For the lawyer, the relationship helped him get ahead in court as well as the court of public opinion. For the TV producer, it bought big ratings and buzz as her show landed exclusives on headline-grabbing cases. Although each toe the line for their personal benefit, Sunjata is quick to defend his character.

“As long as he’s not an intentional monster. … It’s clear that Jake aspires to be, at least, a good human being. He wants to do good” he says. “When you see people’s flaws, it actually humanizes them, de-mythologizes them and makes them more relatable and I think more sympathetic. I’m not afraid of going into the deep water.”

It also helps that both Sunjata and Perabo have an important resource in the real-life figures their characters are based on, both of whom are executive producers on the series. “So much of it is related to me by Wendy,” says Sunjata, who notes Walker is a frequent presence on set. “She’s constantly relaying stories about her relationship with Mark, and about Mark himself while she’s around.”

The back-and-forth between Sunjata’s Jake and Perabo’s Julia is played up in the promos for the series, which made it all that more important for Sunjata and Perabo to get it right from the get-go.

“The very first thing we shot together was one that they use in a lot of the promos where she’s dragging me into an elevator. … She says, ‘You’re impossible,’ and I say, ‘I’m so possible.’ That was just us playing, that was actually not even scripted,” Sunjata says. “I think that gave us both the confidence. We can be open to each other in a way on set that allows her discovering magic moments. Throw enough of those into the life of the show, you could possibly have a hit.”

Sunjata even goes so far as to compare their will-they-won’t-they dynamic to TV’s golden standard. “Me and Piper joke a lot about it being kind of like a 2016 Moonlighting kind of situation. We actually did part of their classic poses: the iconic poster of Moonlighting with the two of them back to back and smirching over their shoulders at the camera,” he says with a laugh.

Knowing the Moonlighting curse and the fickle business that is TV, Sunjata is already looking at the long game for their characters.

“Their professional relationship is such, that I don’t think either one of them would want to risk hurting or losing that for the sake of a tryst,” he says. “There’s a lot of incentive for them to actually not go there. That can make ending up with each other so much more interesting, but only if you economize the roll out of that plot line. I’m hoping if they lock lips, it doesn’t happen until at least season four.”

Notorious premieres Thursday at 9 p.m. on ABC.

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‘People v. O.J. Simpson’ Producers Nina Jacobson and Brad Simpson Renew Overall Deal With FX

September 22, 2016 10:00am PT by Kate Stanhope

The duo are fresh off an Emmy win for best limited series for the 10-part drama.

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The duo are fresh off an Emmy win for best limited series for the 10-part drama.

The good news continues for Nina Jacobson and Brad Simpson.

The People v. O.J. Simpson producers, who both took home Emmys Sunday for best limited series, have signed a new overall deal with FX Productions, The Hollywood Reporter has learned.

As part of the pact, Jacobson, Simpson and their production company Color Force will draw on relationships with writer-producers and pursue literary properties for all TV platforms. The agreement extends the first-look deal Jacobson, Simpson and Color Force signed with FXP back in 2012.

“For the past four years, we have had the honor of working with Nina and Brad and we’re grateful that they will continue to call FX Productions their home for television,” FX Networks and Productions’ original programming presidents Eric Schrier and Nick Grad said. “Nina and Brad are two of the most accomplished producers in the business and their Emmy Award winning limited series The People v. O.J. Simpson: American Crime Story speaks volumes about their extraordinary talents. We’re looking forward to working on many more great projects with them.”

Added Jacobson and Simpson added: “[FX CEO] John Landgraf and his team at FX have the taste, talent and conviction to inspire the creators who work with them. Their unwavering support and encouragement made The People V OJ Simpson: American Crime Story one of the most creatively gratifying experiences of our careers.  We are proud to be partners with the most innovative people in the business and thrilled to call FX our home.”

The deal comes days after The People v. O.J. Simpson nabbed nine Emmys on Sunday night, including best limited series, best actress in a limited series, best actor in a limited series, best supporting actor in a limited series and best writing for a limited series, among others. In addition to acclaim, the 10-part series also impressive ratings for FX earlier this year and is set to debut internationally on Netflix in 2017.

The limited series, which they produced with they produced with Ryan Murphy, Scott Alexander and Larry Karaszweski, marked the duo’s first foray into television. Color Force is currently working with Murphy on the upcoming second season of American Crime Story, which is centered on Hurricane Katrina, and developing an adaptation of Bryan K. Vaughn’s graphic novel Y the Last Man for FX.

The FXP deal does not cover their film projects. Color Force has an existing first look feature film pact at Fox 2000, with which they are currently producing the fourth Diary of a Wimpy Kid movie, and adaptations of bestselling books The Goldfinch and Crazy Rich Asians. (Likewise, The People v. O.J. Simpson was based on Jeffrey Toobin’s book, The Run of His Life: The People v. O.J. Simpson.)

A former president of the Walt Disney Picture Group, Jacobson’s other credits include The Hunger Games franchise. Simpson’s other credits include World War Z, Far From Heaven and Boys Don’t Cry. They are both repped by CAA, who negotiated their FXP overall deal.

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