‘Beautiful Bastard’ Authors Offer Sneak Peak At Long-Awaited Book (Exclusive)

Breaking Bastard authors Christina Hobbs and Lauren Billings

In advance of the Feb. 13 publication of Beautiful Bastard, the reworked version of the online fan-fiction hit “The Office,” authors Christina Hobbs and Lauren Billings (writing under the pen name Christina Lauren) talked with The Hollywood Reporter about what’s new in the print version, their partnership and how to write a good sex scene, among other topics.

First Look: Beautiful Bastard

THR also has an exclusive peek at the first chapter, which can be read here.

“The Office,” which re-imagined the Edward Cullen-Bella Swan relationship as a steamy love/hate romance between a boss and his assistant, was one of the pioneers of the Twilight fan-fic genre, generating more than two million downloads before being taken offline by Hobbs, its original author, in 2009.

Hobbs and Billings, who met through the online fan-fic community and have been writing together since 2010, decided to revisit Hobbs’ online hit last year as an adjunct to an original YA novel they were writing.

The result was Beautiful Bastard.

It’s the story of the whip-smart Chloe Mills, an intern at a company who is about to earn her MBA and embark on a successful career, but finds her herself caught up in a steamy love/hate relationship with her “exacting, blunt, inconsiderate” boss Bennett Ryan, who has just returned to Chicago from France to take an important role in his family’s media empire.

Hobbs and Billings have the easy, winning chemistry of best friends: They finished each other’s sentences, Lauren teased Christina with the nickname “PQ” (for Prom Queen), and they laughed easily as they told THR about the process of revising “The Office” for print. 

“The original ‘Office’ was twice as long as Beautiful Bastard, says Hobbs, so the book has been considerably condensed. The biggest changes occur in the second half of the book, which Hobbs says is “all new” and improves the relationship tension and narrative pacing of the original. She promises they haven’t cut out the little details beloved by fans of the original, from the destruction of a certain kind of expensive French underwear to the way the characters talk to each other.

First Look: Beautiful Bastard

Adds Billings, “There’s a lot of the iconic details of ‘The Office’ that we just could not change, because we knew it would really anger the fan base.” The result, she says, is a story that is at once familiar and new. Returning fans will “feel like they know the characters, but I think they’ll get a totally new view on the way they end up.”

For newcomers, the pair pitch Beautiful Bastard as a fun and sexy romance. “If you’re looking for an erotica book that takes itself really seriously, this isn’t the book for you,” says Billings. “The people who go into it looking for a really serious dynamic misunderstand Chloe and Bennett. They’re just meant to be over the top.”

Adds Hobbs, “They have to be. You would never believe what’s going on if they weren’t so kind of hilarious and over the top.”

Of course, one of the things that attracted fans to the story in the first place was the steamy sex scenes, so we asked Hobbs and Billings what makes a good sex scene.

“I think it’s a lot about the words that you choose, making it not so visceral in terms of a specific verb or noun, but making it visceral in terms of, like, the way they interact with each other, if that makes sense,” says Hobbs. “So instead of using words like ‘throbbing’ and, you know, I don’t know, whatever all the, like, horrible words are! Like, it’s more about you don’t make the intensity from, like, what their bodies are doing so much as what their minds are doing.”

Billings finishes the thought: “Exactly. It’s not so much about A going into B. It’s about what’s going on in their heads. What they’re experiencing and also what they’re seeing in the other person.” 

The duo joke in the acknowledgments about how those erotic scenes sometimes put their male editor Adam Wilson in an awkward position, writing: “We promise we’ll never use ‘vulva.'”

Hobbs explains, “The copy editor suggested it. We had ‘wet skin,’ and she said, ‘Did you mean vulva here?’ And we were like, ‘NOOOO, we didn’t.’  Adam wrote, ‘If you use vulva, I quit.’  And we were like, ‘Oh my god, he is our people.'”

Billings jokes, “We seriously on several occasions have thought, ‘Oh my word, are we, like, ruining him?'”

But ultimately those exchanges formed a bond with Wilson that the pair found important. “Having a guy reading Bennett’s point of view and Max’s point of view, it gives us a little confidence that we’re actually describing things right,” said Billings.

Beautiful Bastard goes on sale February 13. A companion novel/sequel of sorts, Beautiful Stranger, focusing on Chloe’s best friend, follows in May.

Read the opening chapter of Beautiful Bastard here.


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Judy Greer Scores Big Advance for First Book (Exclusive)

Judy Greer

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Judy Greer

Doubleday is set to announce that it has acquired I Don’t Know What You Know Me From: Confessions of a Co-Star, the debut story collection by actress Judy Greer (The Descendants, Californication), The Hollywood Reporter has learned. 

The Random House imprint acquired the book in a pre-empt.

Financial terms are not expected to be disclosed, but sources with knowledge of the deal tell THR that Greer netted an advance of nearly $1 million.  

Publication is scheduled for 2014.

The book will include humorous essays with titles like “Celebrities I’ve Peed Next To,” “I’m Not America’s Sweetheart, I’m America’s Best Friend” and “Bad Oscar!” that chronicle Greer’s life from her childhood in the Midwest to her success as an actress in such films and TV shows as Two and a Half Men and 27 Dresses.

STORY: ‘Arrested Development’ Cast Reunites at TCA: ‘This Is Not Season 4’

“So this is me, just trying, in book form, to introduce myself,” Greer said in a statement.  

“This is who I am. This is what I think about things. This is stuff that happened to me, that could have just as easily have happened to you. I think I am really lucky to be where I am in life, but I’ve never really lost that feeling that I don’t fit in, and if you have, will you please email me and tell me how you did it? I’m serious.”

Added Random House Editor-at-Large Christina Malach, who acquired the book: “We’ve known for years what a wonderful actor Judy is, but … it’s rare to find a first book that has this kind of humor, insight and, most of all, a relatable and endearing voice.”

The book deal comes amid a busy year for Greer, who has appeared in every medium from theater to film to the web.

She just wrapped production on the remake of Carrie and is reprising her role as Kitty Sanchez for Netflix’s revival of the cult TV hit Arrested Development, which will debut on the streaming service in the spring.

THEATER REVIEW: ‘Dead Accounts’

In November, she made her Broadway debut in Dead Accounts, alongside Katie Holmes.

In addition, Greer continues to do the voice of Cheryl on FX’s Archer and host the Yahoo lifestyle web series Reluctantly Healthy.

CAA represented Greer on the book deal. She is also represented by PYE and lawyer Eric Suddleson.

email: andy.lewis@thr.com
twitter: andyblewis, thrbooks


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Comedian Carol Leifer to Write Humorous Career Advice Book (Exclusive)

Carol Leifer Headshot - P 2012

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Comedian and writer Carol Leifer (Modern Family, Seinfeld, ) signed with Quirk Publishing to publish her new book How to Succeed in Business Without Really Crying.

The book is pitched as “a career advice tome whose wisdom is gleaned from her successful years in front of and behind the camera, navigating the mercurial business called ‘show.’ “

In a statement, Leifer called How to Succeed “the book that I wish I had when I was starting out.” She added jokingly, “Back then, the only business book we had was Shari Lewis: Making Millions With Just a Sock.”

This is Leifer’s second book, following her 2009 New York Times best-seller, When You Lie About Your Age, The Terrorists Win: Reflection on Looking in the Mirror.

Leifer is a four-time Emmy nominee for her work on such shows as Seinfeld, Saturday Night Live and The Larry Sanders Show. She won a Writers Guild Award in 2011 for Modern Family. She also has starred in stand-up comedy specials on HBO, Showtime and Comedy Central.

Leifer is repped by APA and Del, Shaw, Moonves, Tanaka, Finkelstein & Lezcano. 

Quirk is the independent publisher behind such cult genre hits as Pride and Prejudice and Zombies and Abraham Lincoln: Vampire Hunter. Terms of the deal were not disclosed.


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