‘Shameless’ Stars on the Gallaghers’ New Season 7 Directions

October 02, 2016 7:00pm PT by Alyse Whitney

THR hit the Chicago set of the Showtime dramedy to get the scoop on season seven and what's next.

Courtesy of Showtime

THR hit the Chicago set of the Showtime dramedy to get the scoop on season seven and what’s next.

[Warning: This story contains spoilers from Shameless’ season seven premiere, “Hiraeth.”]

After the Southside of Chicago got a makeover in Shameless season six, the Gallaghers are now focused on improving themselves.

The Showtime dramedy’s seventh cycle kicked off Sunday with a season that is all about the family’s reinvention, starting with Fiona (Emmy Rossum) swearing off men and taking charge of her life. The premiere showed the quasi-matriarch stepping in for ex Sean (Dermot Mulroney) as manager at the diner, stopping herself from picking up Debbie’s (Emma Kenney) mess at home and physically dragging Frank (William H. Macy) out of the house — and she’ll only grow more as the season continues. 

“Fiona is ready for a change and no one is going to get in her way of seeing it through. She’s trying to apply the loyalty that she showed to her family to herself,” Rossum tells The Hollywood Reporter. “She decides the family should pick up the slack and share responsibility equally within the house, because it’s been pretty one-sided for a long time. She helped all these other people be a success — now it’s her turn.”

As Fiona allows herself to be selfish for the first time, she will take herself off speed dial for the family’s day-to-day problems and make them chip in for rent if they want to stay in the house. Although the family’s feud with Frank is one of the focal points of the season, Rossum says a bigger fight will come when people don’t think she can be much more than a diner manager — especially Lip (Jeremy Allen White), which will be a good source of tension between the close siblings.  

“Lip has always felt like the breadwinner and never considered that there’s a world in which Fiona could also be successful and make money and do something good for the family,” White says. “He’s proud of her, but Fiona is behaving in a way that Lip isn’t familiar with and that’s a little scary because she’s abandoning the family and she’s acting erratically in regards to money and building her empire so quickly. He feels like his time is more valuable than hers so he gets a little overwhelmed.”

Notes Rossum: “The dynamic of Lip and Fiona’s relationship shifts because as he grows up, they’re on different paths with similar goals. Different scales maybe, but similar goals.” Part of that shared goal in season seven is the fact that both Fiona and Lip have sworn to stay away from relationships.

“It was really fun to not have to write romance stories for her this year, and to actually tell more of what Fiona is like outside of a guy,” executive producer Nancy Pimental tells THR

The new version of Fiona will embrace no-strings-attached Tinder hookups, and they’ll look different than previous relationships. “I don’t know why Fiona has only ever dated skinny white boys so I asked for men of color to be brought in,” Rossum reveals. “We have a lot more of an assortment this year, which makes me very happy.”

Meanwhile, Lip is taking his rehab experience and applying the lessons to drugs, alcohol and the way he treats women. “He’s trying not to let himself fall head over heels so quickly,” White says. “He’s protecting himself a little bit more.”

Ian (Cameron Monaghan) will also make some changes after he discovers his boyfriend, Caleb (Jeff Pierre), is cheating on him with a woman.

“Ian is re-discovering and re-evaluating some of his sexuality,” Monaghan says. “There are certain things coming up in his interpersonal relationships that challenge his preconceived notions, which is kind of funny, considering how secure in his sexuality he’s been for such a long time.”

With that being said, Ian’s future could also include going back to the past. Even though his ex Mickey (Noel Fisher) is currently in jail, Monaghan isn’t ruling out a reunion. “Mickey was someone that he loved very much and holds dear in his heart … but Ian has had to emotionally distance himself from the relationship so that he can just carry on with his life. But you know how those two are with each other. [If] they see each other, there’s going to be chemistry, and there’s going to be stuff that happens. The possibility is always out there.”

Unlike his offspring, Frank is looking for love — both platonically and romantically. “Frank feels betrayed. He loves being the patriarch, so he decides to find a bunch of people who need a family and make them his new family,” Macy says. 

This replacement family kicks off a “Gallagher vs. Gallagher” theme for season seven. After surviving his time in the icy lake and a coma, Macy says that Frank feels “invincible” and “powerful” enough to take bigger risks and get even crazier. “There’s a lot of entrepreneurship going on. He starts a homeless shelter, and it’s working like gangbusters,” Macy reveals.

As for if Frank will have any sort of lasting relationship after Monica (Chloe Webb), Sheila (Joan Cusack) and Queenie (Sherilyn Fenn), Macy said that’s not what’s on the character’s mind this season. In fact, Macy is proud that “Frank is quite the Lothario” this season. “It seems like there’s a lot of women in Frank’s life, and I’m proud. I love to be playing this character that at 66 years old is getting laid on a regular basis. I love the way our show deals with sex, actually. It’s so straight-forward and healthy — even in its sickness, it’s healthy,” he says.

If Frank’s goal is get a rise out of his kids, Pimental says the character will likely be disappointed. “Frank is kind of invisible to Fiona now. She’s not even going to give him the satisfaction of being mad,” she says. 

Adds Monaghan: “We’re so used to his bullshit at this point that we’re over it. We’ve thrown him over the bridge both literally and metaphorically and we’ve tried to dump him out of our lives, but like a cockroach, he just keeps infesting and crawling back in.”

The only holdout could be Debbie (Emma Kenney), who is the most forgiving of the Gallagher clan. “As much as Debbie puts up a cold front toward Frank now it’s just because she doesn’t want to get hurt again — she doesn’t want to get continuously let down,” Kenney says. “Debbie uses Frank and Monica as motivation to be a better parent. She’s raising Franny the way she wishes she was raised.” 

Even though Debbie is having “temporary regrets” about having the baby — the premiere finds her leaving Franny in front of a fire station before quickly changing her mind — she’ll do “whatever it takes” to help improve her daughter’s life. “She wouldn’t go back in time and not have a baby because she loves that baby more than she loves herself. Lip is honestly the only Gallagher that is genuinely supportive of her and trying to make her life better while maybe putting his own better future on hold.”

Meanwhile, Professor Youens (Alan Rosenberg) will hold up his end of the bargain and help Lip find a job, but that opportunity could lead to a different kind of relapse.

“Lip is ready to get out into the real world. He’s hungry for it. He wants to make money and I think that’s another addiction, like sex or drugs or drinking,” White says. “The concept of really making money and fast is really appealing to Lip, and he gets swept up in the startup world.”

Lip is able to be a little more hands-off with Ian now that his brother’s medication is under control, but that doesn’t guarantee smooth sailing. “As an EMT, Ian is seeing certain things about the job that are extremely challenging and sometimes very upsetting,” Monaghan says. “Working in a medical context, bad things can happen, and they can happen very quickly.”

Ultimately, Shameless season seven centers around Fiona and her “changing the log line of her life,” Rossum says. “She wants everyone to believe in her the way she’s believed in them. That she can be more than a diner manager who will never amount to much, who surprisingly has not been pregnant yet, and always needs a guy to boost her up. All Fiona needs is herself.”

Shameless airs Sundays at 9 p.m. on Showtime.

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The Surprising Way ‘Shameless’ Will Tackle Polyamory in Season 7

September 30, 2016 10:20am PT by Alyse Whitney

“Polyamory is being shown in a way that hasn't been shown on television before,” star Shanola Hampton says as THR talks to all parties involved, including executive producer Nancy Pimental.

Courtesy of Showtime

“Polyamory is being shown in a way that hasn’t been shown on television before,” star Shanola Hampton says as THR talks to all parties involved, including executive producer Nancy Pimental.

Polyamory may be the most normal thing to happen to Showtime’s Shameless.

In season seven of the Showtime dramedy, Kevin (Steve Howey), Veronica (Shanola Hampton) and Svetlana (Isidora Goreshter) will evolve their “thrupple” from a string of threesomes and a green-card marriage into one big happy family that includes working and raising kids together as the John Wells-produced series explores polyamory. 

“Polyamory is being shown in a way that hasn’t been shown on television before. It’s not Big Love, where the poly aspect was all it’s about,” Hampton tells The Hollywood Reporter. “[Veronica] fell in love with a woman and her husband loved her enough to accept this relationship and add it to their own relationship. For her to make that choice, it wasn’t to make it temporary — this is her new life and new family”

Adds Goreshter: “It evolved in such a slow, natural way between them, over a period of [season six], where Svetlana really integrated into their lives. It was this weird slow build so it didn’t feel like, ‘Oh, we’re polyamorous now.’”

Pimental credits the natural flow of the thrupple to the chemistry of the actors and the fact that the storyline happened organically. “We did not set out to have this happen. It originated when Kev and Vee had broken off and Svetlana needed a place to stay,” she says. “For her and her culture, she gave payment by sweeping the floor, paying the rent, and going down on Kev or Vee. It started as showing a different take on a different culture and a different point of view of sex.”

While feelings were heavily involved for Veronica and Svetlana, Howey says that Kevin wasn’t immediately thinking about love — or consequences. “Kev’s point of view is very cut and dry. Having sex with two women is every guy’s dream, and with Svetlana’s help, there is someone else to help cook, help with the babies and the bar, and give him more time for sleep, sex and his relationship with Vee,” he explains. “It felt like a win-win.”

Although sex remains a large part of their storyline — including what the cast previews as a “giddy up” punishment scene — it’s not the focal point of their story or the series as a whole.

“Now you’ve gotten past the whole sex stuff, you just see them just doing the day-to-day,” Hampton previews of season seven, which kicks off Sunday. “It picks up with them doing their schedule — who’s going to the bar to work, who’s taking care of the kids, who’s doing breakfast, and yes, who’s having sex — and being a regular family.”

Notes Goreshter: “It’s like a beautiful dance that’s been choreographed, and they all work so well together. Our polyamory is not the focal point of Shameless or our storyline. It’s not thrown in your face; it’s just a backdrop to our real life. It’s just there and it’s working.”

The level of love between the trio may also be directly correlated to how much they actually need one another. “It’s really hard to raise kids and have a career, so if you find another part of your tribe or another member of the village that can contribute and there’s love and trust and good specs, it kind of just makes sense,” Pimental says. “I think that helps normalize it as well. It started off as a relationship out of convenience and mutual give and take of services and needs being met, and then grew into something more loving.”

Polyamory isn’t the only thing that will make Kev, Vee and Svetlana’s relationship unique as none of the three characters will follow any gender stereotypes as well this season. 

“When Kev stays home with the kids, he wants to be a great dad and play and not clean. When the women come home and they say, ‘I work all day and what are you doing?’ I channeled what I imagine would be a 1950s conversation,” Pimental explains. “We had a lot of fun with that, and they are all so great in helping us flip traditional roles on their heads.”

Says Hampton: “That adds another layer to the fact that we’re an interracial couple and that’s never been an issue in seven seasons. We’ve never had to discuss it. Shameless shows more of a reality than most shows.”

“Everything in this world is a little bit reverse. We’re not playing caricatures,” Howey says. “When Svetlana comes in, she’s very masculine and in some ways emasculates Kev because she’s a better lover to Vee. Is there jealousy there for Kev? I think so. I think it’s underlying, but he’s too prideful to even go there.”

While jealousy may come into play — especially given the nature of Kev and Vee’s relationship — Hampton says the bigger issue will be bickering and Kev feeling as if Vee and Svetlana are ganging up on him. “Men always think that it’s going to be great to have two women in bed, but you also get two women bitching you the hell out and bossing you around to clean the house,” she says with a laugh.

“Kev and Vee start to fight a lot more than they usually have because Svetlana takes up a lot of the friendship and lover roles that Kev and Vee were for each other,” Howey reveals. “There are consequences for having a multiple-partner relationship, and you definitely are going to find out about them this season.”

A bigger looming issue is the fact that Veronica and Svetlana are legally bound by marriage, which could also lead to trouble. “I think everything could be a potential dangerous situation with Svetlana involved,” new series regular Goreshter warns. “Her love is conditional upon how it services her to get what she wants, and upon her survival. Is she really falling for them, or is there something more behind it that is self-serving and manipulative? She’s 100 percent always out for herself, so you never know when that’s going to get flipped over on its head.”

“Svetlana has different definition of what love is,” Pimental adds. “We play with all of that, because it’s hard enough with two people in a relationship to define and establish what you have going on. Then you add a third person — and a third person who has a different cultural upbringing — and it definitely shakes up the lines of the triangle.”

After all of the crazy things that Shameless has gotten away with — including Frank (William H. Macy) having sex with a woman after her heart stopped, Fiona (Emmy Rossum) accidentally giving her youngest brother cocaine as well as Kev and Vee playing out a slave owner and slave sex scene — the cast jokes that this is the tamest storyline of their time on the show. 

Given the show’s creative freedom, it’s little surprise that Pimental says the writers got “zero pushback” on their poly line. “My big running joke with [Showtime programming president] Gary Levine is that many seasons ago, in one of my episodes, Frank was doing something so horrific. It might have been the episode where he turned down the heart transplant for Butterface. Gary didn’t have any notes on that storyline, but I also had Lip stealing library books and he asked me to take that out,” she recalls. “When he went on to explain why, his belief was that the Gallaghers don’t do anything to hurt the community or to hurt their people, and so by stealing library books that was hurting the community. My point being, they are very supportive of what we do.”

Shameless premieres Sunday, Oct. 2 at 9 p.m. on Showtime.

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‘Once Upon a Time’ Sets Sean Maguire’s Return

September 27, 2016 10:03am PT by Alyse Whitney

The actor will recur on the ABC drama after exiting the series in season five.

Katie Yu/ABC

The actor will recur on the ABC drama after exiting the series in season five.

Just because someone is dead on Once Upon a Time doesn’t mean they’re gone forever. 

After the series regular’s Robin Hood was killed off in the season-five finale, Sean Maguire has booked his return to the ABC fairy tale drama, The Hollywood Reporter has confirmed. 

Robin was killed by Hades’ (Greg Germann) Olympian crystal. He died in an act of True Love to save Regina (Lana Parrilla), who finally came to terms with his death in the season-six premiere.

This is not the same situation as what happened with Hook (Colin O’Donoghue) returning from the dead in the Underworld, though. Hades told Regina that Robin’s soul was “obliterated” and he wouldn’t go to the Underworld, but she found hope in the premiere that her love is in a better place. 

Either way, co-creator Eddy Kitsis told reporters at a recent screening that they’re “not going to the Underworld this year” and that “dead is dead.” He continued, “We’ve had loss on this show, we’ve had people come back…a lot of this year is about Regina dealing with loss and moving on because I think Regina has the most unfair luck of anybody, but that’s kind of what makes her Regina.”
Maguire — who was a series regular in season five — will recur in season six, but he hopes it won’t be in flashbacks. “I feel that if we were to have explored some of the stuff that was alluded to when I was there, I don’t know how much we could cover in a flashback or something like that,” he previously told THR after his departure. “I will go on record and say ‘never say never,’ but at the moment, it doesn’t feel like something that is on the horizon.”

However, this may give Maguire a chance to explore and develop his character more in a different way. “I felt like it was an abrupt end; I didn’t feel the character had any development this year and wasn’t really written for,” he told THR

EW first reported the news of Maguire’s return. “We’re thrilled to have Sean back for this story arc and are excited for the audience to see what we have planned, which in the wake of his character’s heartbreaking demise, is something we hope is unexpected and surprising,” showrunners Adam Horowitz and Kitsis told EW.

Once Upon a Time airs Sundays at 8 p.m. ET on ABC.

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Alyse Whitney

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