Gosling’s first film on the other side of the camera isn’t getting great reviews. BUT THAT DOESN’T MATTER AT ALL.
"It is colossally indulgent, shapeless, often fantastically and unthinkingly offensive and at all times insufferably conceited. " - Peter Bradshaw
DOESN'T MATTER.
"...a risible slab of Detroit gothic that marks an altogether inauspicious writing-directing debut for Ryan Gosling." - Justin Chang
Carousel Productions
DOESN'T MATTER.
